Sehinsahname, volume 1, Ottoman, 1581.
Written by Seyyid Lokman, illustrated by Nakkas 'Osman.
Ms. IUK F1404, Istanbul University Library.

The most characteristic examples of Ottoman miniature art were produced in the second half of the sixteenth century as a result of the patronage of Sultans Selim II (1566-74) and Murad III (1574-95). The reigns of these sultans mark the classical period of Ottoman miniature art and the most productive era in historical painting. Throughout most of these years, the Turkish and Persian works of Seyyid Lokman, the court-appointed Sahnameci, were illustrated in rapid succession by selected painters working in the imperial studio. Foremost among them was the master Osman, the greatest name in Ottoman historical painting and the artist who mostly shaped Turkish miniature art during the classical period. It is known from documentary sources that Osman occupied a position in the court atelier from the first years of Selim II’s reign, becoming its most productive and prominent member during the years 1570-90. In addition to working with Lokman, he was responsible for illustrating the works of other writers as well. For many of these projects, he headed groups of artists chosen from the court atelier and directed their work. In the period from 1558 until 1592, Osman and his team illustrated several of Lokman’s Sahnames, which are written in Persian and in verse. The first of these, which actually dates back to the final years of Süleyman’s reign, is called the Zafername (Book of Victories. DCB, No.413). Lokman’s second “book of kings, the Sahname-i Selim Han”, is concerned with Selim II’s sultanate (TSMK, A.3595). The third is the first volume of the Sehinsahname (Book of the King of Kings) and describes events that occurred between the years 1574-81 during Murad III’s reign (IUK, F.1404). The last Sahname to emerge from this collaboration between Lokman and Osman was the second volume of the Sehinsahname, covering the years 1581-88 of Murad’s reign (TSMK, B.200). These Sahnames, all with the same dimensions and layout, contain more than two hundred miniatures of a documentary nature, detailing important architectural works, military campaigns and major victories, important court ceremonies and celebrations, the sultans’ accession to the throne, and their deaths.
Source: Nurhan Atasoy Archive at the Turkish Cultural Foundation.