f.25v Man in armor transfixing dragon (modern). |
f.36r Bahram Gur hunting wild ass accompanied by his slave girl Fitna (modern). |
f.72v Man fighting dragon (modern). |
f.78r Men playing polo (modern). |
f.79r Scene, Occupational: Fishing -- Two men with sword and hatchet cutting up fish lying in stream; a third man carries away tail of fish; flowering plants. Illustration for chapter on Fish. |
f.84r Royal couple entertained by musicians (modern). |
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f.84v Solomon and the Queen of Sheba (modern). |
The warrior in f.25v is fig. 89, and the warrior in f.23v is fig. 90 of M. GORELIK, "Oriental Armour of the Near and Middle East from the Eighth to the Fifteenth Centuries as Shown in Works of Art", in: Islamic Arms and Armour, ed. ROBERT ELGOOD, London 1979.
p. 36: Marāgheh miniatures, however, continued to portray standard Iranian armour (figs. 89, 90). This may be explained by the fact that prior to the fourteenth century most of the local craftsmen, according to Rashīd al-Dīn were still unable to reproduce Mongol armour.
89, 90. Managi al-Hayyavān by ibn Bakhtishu, Marāfī, c.1294-1299.
[This becomes irrelevant if the manuscript images are 19th century].
The warrior in f.25v is Figure 167 in "The Iconography of a Military Elite: Military Figures on an Early Thirteenth-Century Candlestick (Part II)" by David Nicolle, in Mamlūk Studies Review Vol. 19, 2016
Warrior figure with a full mail hauberk, face-covering mail avential or coif, mail and plated leg armour [perhaps overpainted or restored at a later date], Manāfī al-Ḥayawān manuscript from Maragha, Mongol north-western Iran, 1294–99 AD (Pierpont Morgan Library, Ms. 500, New York, USA)